Jump to content

Mario Petrucci

From Wikipedia, the free encyclopedia

Mario Petrucci
BornMario Petrucci
Lambeth, London, UK
OccupationPoet, physicist, ecologist
NationalityBritish / Italian
CitizenshipUnited Kingdom
Alma materUniversity of Cambridge, University College London, Middlesex University
GenrePoetry, Science, Education
Website
mariopetrucci.com

Mario Petrucci (born 1958) is a British-Italian poet, literary translator, educator and broadcaster. He was born in Lambeth, London and trained as a physicist at Selwyn College in the University of Cambridge, later completing a PhD in vacuum crystal growth at University College London. He is also an ecologist, having a BA in Environmental Science from Middlesex University.[1] Breaking with his early scientific career, Petrucci increasingly focussed on his literary projects, becoming the first poet to be resident at the Imperial War Museum[2] and with BBC Radio 3.[3][4][5]

Petrucci has utilised poetry and film in a variety of educational, cultural and community settings so as to deepen public (and academic) engagement with human conflict, environmental issues and science, whilst also encouraging a more vital exploration of personal and historic memory.[6] He has actively used the media to disseminate his poetry, and his broadcasting experience includes BBC radio’s Kaleidoscope, London Nights, Sunday Feature, Night Waves, The Verb and the BBC World Service, as well as BBC TV.[7]

Literary record

[edit]

Petrucci's poetry debut, Shrapnel and Sheets (1996), won a Poetry Book Society Recommendation.[8] Ensuing literary awards include the Irish Times Perpetual Trophy, the Daily Telegraph/ Arvon International Poetry Prize, the London Writers Competition (a record four wins), the Sheffield Thursday Prize (twice), the Bridport Poetry Prize, and the Silver Wyvern Award. Altogether, between 1991 and 2005, Petrucci won a total of 22 national and international open poetry competitions.[6] Petrucci's poetry has also appeared in such outlets as The Spectator and The Independent,[9] and has been noted in the Daily Mail, The Daily Telegraph and The Guardian, with his diverse collections drawing inspiration situationally from key cultural sites, or exploring his core themes of love/loss, the tragedies of warfare, and science in the natural world.[1]

2012 saw Petrucci shortlisted for the Ted Hughes Award[10][11] with a monumental poetry soundscape (among the largest ever created) entitled Tales from the Bridge.[12][13][14][15][16] Commissioned by the Mayor of London, this installation spanned the Thames as part of the London 2012 Cultural Olympiad. Composed as a complex overlapping hybrid prose poem, and performed using subtle sonic textures with multiple interleaving voices, Tales from the Bridge was "assembled from literary forms such as short poems, atmospheric descriptions, local anecdotes, facts and figures".[17] Collaborators for the project included Martyn Ware (The Human League) and Eric Whitacre, whose music was used. The soundscape played for two months along the entire length of the Millennium Bridge and was experienced by an estimated 4 million people.[18]

Poetry, translation, film

[edit]

A prolific poet, Petrucci's style and forms have constantly evolved. His early output has been characterised as a shifting eclectic mix: this work was, by turns, spiritual/devotional, open-mic/humour/performance-oriented, politically-conscious/satirical, ecopoetic/scientific, site-specific, war-related and confessional (the latter often centred on relationships, childhood, or his Italian heritage and family); these plural concerns later condensed into extensive explorations of intensely felt love/loss and a more systematically neo-modernist drive (with eco-aware, metaphysical and 'concrete' leanings), punctuated by major public commissions and a growing engagement with watershed authors from other cultures and epochs.[1][6] 

This intricate aesthetic journey culminated in the vast i tulips sequence, Petrucci's key avant-garde undertaking consisting of 1111 poems (with a 1111-line coda in 11 parts) described by the Poetry Book Society as an "ambitious landmark body of work”.[19] Endorsed by Roy Fisher and Bill Berkson, the project combined rich imagery and intense musicality with a freshly-invented undulating form, proceeding through hundreds of variations, to generate "an energetic fusion of American and British modernism".[1]

Alongside this, Petrucci has been occupied with literary translation: 2018 brought his English versions of the Persian mystic poet Hafez via Bloodaxe Books, and in 2022 he was invited by the Society of Authors to judge the John Florio Prize for Italian translation.[20] He has published versions of Catullus, Sappho, Rumi, Saadi and the Nobel-winning Eugenio Montale.

Petrucci's poetry has also been deployed in a number of films. Heavy Water: a film for Chernobyl and Half Life: a Journey to Chernobyl were two sibling features (by Seventh Art Productions)[21] built around his award-winning poetry sequence on the Chernobyl disaster.[22] Voiced by Juliet Stevenson, David Threlfall and Samuel West, these films have garnered awards such as the Cinequest, as well as screenings on mainstream television and at major cultural venues such as Tate Modern (in 2007).[23] He later scripted the art film Amazonia, set in Peru, commissioned and showcased by the Natural History Museum, London to highlight the plight and global significance of rainforests.[24]

Cultural, Educational, Cross-disciplinary (science-ecology-arts) work

[edit]

Petrucci's poems, short stories, articles and essays often investigate cross-disciplinary concerns (creativity, politics, science, the environment),[25] for instance the role of eco-art in dissolving society's resistance to pro-environmental change,[26] or the cross-fertilisation of disciplines by applying 'Scientific Visualizations' as visual analogies to specific literary aspects of the humanities.[27][28][29] He has also been much involved in the educational sector,[30][31][32] in creative writing and literary mentoring, melding scientific and ecological awareness with creative writing praxis.[33][34][35] He was instrumental in a number of London-based literary initiatives, including: the experimental collaborative 'co-vocal' poetry performance troupe ShadoWork; the Arts Council/ London Arts funded organisation writers inc. (which ran a variety of workshops and events); and the poetry magazine The Bound Spiral.[6]

Petrucci has engaged with a wide range of cultural organisations, including the Royal Festival Hall, the Charles Dickens Museum, Southwell Workhouse, the Royal College of Surgeons of England, the European Space Agency, the London School of Economics, the Wellcome Foundation, and the Natural History Museum, London; he was also Royal Literary Fund Fellow on four occasions, at Oxford Brookes University, University of Westminster, Brunel University London, and the City and Guilds of London Art School.[25]

Critical ideas

[edit]

One of Petrucci's several critical-theoretical innovations in poetry is his nesting of concrete poetry within a larger concept he terms Spatial Form.[a][36] This goes far beyond the overt spatial signals generated by a poem’s concrete shape or its chosen form and layout: Spatial Form incorporates all aspects of the poem's visual gestalt as physically manifested on the page, including such subtleties as typeface or the visual textures of repeated letters.[37][38] Petrucci also coined the critical terms 'Poeclectics'[39][40] and 'sonic stitching',[41] and is first proponent of the new prose sub-genre 'Eco-sci-fi Flash Fiction'.[26]

Books and pamphlets

[edit]

Films

[edit]
  • Heavy Water: a film for Chernobyl (with Phil Grabsky & David Bickerstaff) Seventh Art Productions, 2006.[45][23]
  • Half Life: a journey to Chernobyl (with Phil Grabsky & David Bickerstaff) Seventh Art Productions, 2006.[21]
  • Amazonia (with Lucy + Jorge Orta), commissioned by the Natural History Museum, 2010.[24]

Awards

[edit]
  • 1993 Winner, London Writers Competition
  • 1995 Edith Kitt Memorial Award
  • 1996 Poetry Book Society Recommendation
  • 1996 Edith Kitt Memorial Award
  • 1997 Winner, Sheffield Thursday Prize
  • 1997 Winner, inaugural Irish Times Perpetual Trophy
  • 1998 New London Writers Award (London Arts)
  • 1998 Winner, London Writers Competition
  • 1998 Winner, Sheffield Thursday Prize
  • 1999 Bridport Poetry Prize
  • 2002 Daily Telegraph / Arvon International Poetry Prize
  • 2002 Arts Council England Writers' Award
  • 2003 Essex Book Awards Best Fiction Prize 2000–2002
  • 2003 Silver Wyvern Award
  • 2004 Winner, London Writers Competition
  • 2004 National Poetry Competition: third prize cum laude
  • 2005/2006 Arts Council England Grants for the Arts: Science in Poetry
  • 2005 Winner, London Writers Competition
  • 2007 Cinequest Film Festival Award, Best Short Documentary (Half Life: a Journey to Chernobyl)
  • 2009/10 Arts Council England Grants for the Arts: i tulips
  • 2012 Shortlisted for The Ted Hughes Award for New Work in Poetry: Tales from the Bridge
  • 2016 Winner, PEN Translates Award[46]
  • 2018 Shortlisted: John Florio Prize for Italian Translation (with Xenia by Eugenio Montale)[47]

Notes

[edit]
[a] - Petrucci's formulation of Spatial Form is not to be confused with Joseph Frank's unrelated 1945 term, dealing primarily with the abstract patterning of internal references and narratives implemented by an author across a work in order to create a unitary structure of meaning.[48]

References

[edit]
  1. ^ a b c d "Poetry International (archival page)". Archived from the original on 26 July 2022.
  2. ^ "Poetry by the Imperial War Museum Poet-in-Residence, Mario Petrucci, 1999". Imperial War Museum. Archived from the original on 21 October 2018. Retrieved 1 December 2023.
  3. ^ "BBC – Listen Up! – New Music and Writing". BBC. Archived from the original on 17 November 2023. Retrieved 1 December 2023.
  4. ^ "BBC Radio 3 (Petrucci)". Archived from the original on 1 August 2023. Retrieved 1 December 2023.
  5. ^ "Comma Press biography (archived page)". Archived from the original on 30 April 2017.
  6. ^ a b c d "Author's official website (Biography page)". Archived from the original on 11 August 2024. Retrieved 1 October 2024.
  7. ^ "Petrucci biography". literature.britishcouncil.org. Archived from the original on 26 July 2022. Retrieved 1 December 2023.
  8. ^ "Poetry Society (Petrucci biography)". Archived from the original on 1 August 2023. Retrieved 1 December 2023.
  9. ^ "Petrucci biography in 'Poetic Voices' (archived source)". 24 October 2016. Archived from the original on 1 October 2020.
  10. ^ "Ted Hughes Award – the Poetry Society". Archived from the original on 16 February 2023. Retrieved 1 December 2023.
  11. ^ "Ted Hughes Award 2012 shortlist". Archived from the original on 10 March 2016.
  12. ^ "Tales from The Bridge". atomictv.com. Archived from the original on 29 October 2012. Retrieved 1 December 2023.
  13. ^ "from Tales from the Bridge – the Poetry Society". Archived from the original on 22 June 2019. Retrieved 1 December 2023.
  14. ^ KitmonstersTV (1 August 2012). "Tales From The Bridge – Martyn Ware" – via YouTube.
  15. ^ "News 2012 – Illustrious Company (archived site)". illustriouscompany.co.uk.
  16. ^ "KitMonsters – Tales From The Bridge". Archived from the original on 13 October 2022. Retrieved 1 December 2023.
  17. ^ "Mayor of London press release". 27 July 2012. Archived from the original on 21 May 2021.
  18. ^ "The British Library - A soundscape meditation on the history of the Thames (archived source)". Archived from the original on 24 October 2021.
  19. ^ "(reviews section)". Poetry Book Society Bulletin (224). London. Spring 2010.
  20. ^ "John Florio Prize 2022". www2.societyofauthors.org/. Archived from the original on 30 May 2023. Retrieved 8 August 2024.
  21. ^ a b "'Heavy Water: a film for Chernobyl' and 'Half Life: a journey to Chernobyl' – by Phil Grabsky, David Bickerstaff & Mario Petrucci (Seventh Art Productions, 2006)". heavy-water.co.uk. Archived from the original on 27 August 2008. Retrieved 17 September 2023.
  22. ^ Petrucci, Mario (2 December 2023). archived book information for Heavy Water: a poem for Chernobyl. Enitharmon. ISBN 9781900564342.
  23. ^ a b "poetry film Heavy Water: a film for Chernobyl (later version of online source)". atomictv.com. Archived from the original on 22 October 2023. Retrieved 1 December 2023.
  24. ^ a b "poetry film Amazonia". atomictv.com. Archived from the original on 23 July 2022. Retrieved 1 December 2023.
  25. ^ a b "Royal Literary Fund Fellow". rlf.org.uk. Archived from the original on 26 August 2022. Retrieved 1 December 2023.
  26. ^ a b "Anthroposphere (the Oxford Climate Review) issue 8; article Art and Climate Change: Separate Bubbles or Mutual Membrane? followed by Rain (early example of 'Eco-Sci-Fi flash fiction')". Oxford: Oxford Climate Society. 2022. Archived from the original on 12 July 2023.
  27. ^ Petrucci, Mario (2011). "Scientific Visualizations: Bridge-Building between the Sciences and the Humanities via Visual Analogy". Interdisciplinary Science Reviews. 36 (4): 276–300. doi:10.1179/030801811X13160755918561. S2CID 62643801.
  28. ^ "Scientific Visualizations: Bridge-Building between the Sciences and the Humanities via Visual Analogy". yumpu.com. Archived from the original on 10 July 2023. Retrieved 26 October 2024.
  29. ^ Twissell, Adrian (2014). "Visualisation in Applied Learning Contexts: A Review". Educational Technology & Society. 17 (3): 186. S2CID 13346796.
  30. ^ "Study Skills Project". rlf.org.uk. Archived from the original on 22 November 2011. Retrieved 1 December 2023.
  31. ^ "Poetry School". poetryschool.com. Archived from the original on 6 April 2023. Retrieved 21 October 2023.
  32. ^ "Poetry Class national initiative [sample]" (PDF). poetryclass.poetrysociety.org.uk. Archived (PDF) from the original on 18 March 2021. Retrieved 21 October 2023.
  33. ^ "Poetry Society commission [the Ecopoetry Study Packs]". poetrysociety.org.uk. Archived from the original on 31 March 2022. Retrieved 21 October 2023.
  34. ^ "Creative Writing <-> Science". writeideas.org.uk. Archived from the original on 28 August 2008. Retrieved 15 June 2017.
  35. ^ New Scientist (10 July 2007). "Science poetry: Mario Petrucci" – via YouTube.
  36. ^ "Spatial Form". Archived from the original on 1 June 2023. Retrieved 11 November 2023.
  37. ^ McLoughlin, Nigel (2016). "Spatial Form". The Portable Poetry Workshop. London: Palgrave Macmillan/ Red Globe Press/ Bloomsbury. ISBN 9780230522305. OCLC 990192945.
  38. ^ Petrucci, Mario (2006). "Spatial Form: a new way of looking at poetic form". Writing in Education (40): 37–40. ISSN 1361-8539.
  39. ^ Petrucci, Mario (2006). "Making Voices: Identity, Poeclectics and the Contemporary British Poet". The International Journal for the Practice and Theory of Creative Writing. 3 (1): 66–77. doi:10.2167/new058.0. S2CID 53523734.
  40. ^ ""Getting Involved" (article on Mario Petrucci by Mick Delap, in online publication of: Magma no.19; Winter 2001)". Archived from the original on 27 October 2023. Retrieved 11 November 2023.
  41. ^ "Writing Into Freedom & 'sonic stitching' (archived source)" (PDF). Archived from the original (PDF) on 22 November 2021.
  42. ^ "Flarestack Poets – Home". flarestackpoets.co.uk.
  43. ^ "Waterloo Press: home". waterloopress.co.uk.
  44. ^ "Nine Arches: home". ninearchespress.com.
  45. ^ "poetry film Heavy Water: a film for Chernobyl (early version of online source)". atomictv.com. Archived from the original on 8 October 2006. Retrieved 1 December 2023.
  46. ^ "Independent publishers lead PEN Translates awards – The Bookseller". thebookseller.com. Archived from the original on 22 January 2022. Retrieved 1 December 2023.
  47. ^ "John Florio Prize – past winners". societyofauthors.org. Archived from the original on 14 September 2021. Retrieved 1 December 2023.
  48. ^ Ian McEwen & Hannah Lowe, ed. (2013). "Spatial Form". Magma (57). ISSN 1352-9269.
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Mario_Petrucci&oldid=1254830610"